V/A | The Ranger Original Soundtrack | LP

Description

Original soundtrack to the critically acclaimed feature film ‘The Ranger’ (SXSW World Premiere Opening Night Frightfest London Official Selection of Sitges Acquired by AMC Entertainments Shudder for a 2019 release) Set to the beat of a killer punk soundtrack (FANG, The Avengers, The Grim, Rotten UK and more) and presented in eye-popping neon colors, Jenn Wexler’s debut offers a modern take on survivalist horror that both celebrates and subverts the genre’s tropes–with equal parts humor, glitter and gore. “Though THE RANGER is a tribute to the slime and grime of classic punk movies, it’s very much a modern film, splitting the difference between the heightened exploitation of CLASS OF 1984 and the unflinching brutality of 2015’s GREEN ROOM.” — Daily Grindhouse “[P]romises a Technicolor bloodbath in the woods, and it delivers.” — Rue Morgue “THE RANGER is one of the most punk horror movies ever punked.” — Bloody Disgusting

Track Listing

Charlie Rich – The Most Beautiful Girl Rotten UK – Animal Sacrifice Rotten UK – Long Kiss Goodbye Rotten UK – Siouxsie Sioux Rotten UK – Dark Times Shayfer James – Two Dollars and a Dime The Grim – Cop Killer The Avengers – Teenage Rebel The Avengers – The Good, The Bad and The Kowalskis The Polyester Wags – Stockton (Full of Gold)

Ronnie Masters – The Days Never End (And The Nights Keep Coming Too Soon) The Polyester Wags – Stockton (Full of Gold) The Atom Age – It’s a Mess Fang – We Die Alone The Authorities – Shot in the Head The Nerv – Truth Be Told Dayglo Abortions – Used to Be In Love The Lobstrosities – Gasher Bud Perry – Alone Again Wade MacNeil/Andrew Gordon Macpherson – Ranger Original Score

Press Quotes

THE RANGER is one of the most punk horror movies that has ever punked.

—Bloody Disgusating

[P]romises a Technicolor bloodbath in the woods and it absolutely delivers

—Rue Morgue

Though THE RANGER is a tribute to the slime and grime of classic punk movies, it’s very much a modern film, splitting the difference between the heightened exploitation of CLASS OF 1984 and the unflinching brutality of 2015’s GREEN ROOM.

—Daily Grindhouse